In the coming weeks, I’ll be posting a couple more “making of” videos showing preproduction and workflow.Īnd now, my only appeal. If you’re interested in learning more about the workflow I and the other artists who worked on this project used, you can see a presentation I gave at the 2013 Amsterdam SuperMeet here. West to create the CG effects, so Autodesk Software touches every single frame of this film (along with Adobe Illustrator, Photoshop, and After Effects to create animated graphics elements, DaVinci Resolve Studio to create dailies and do the final grade, GenArts Sapphire plugins to help all along the way, and Avid ProTools to do the sound design and mix). Autodesk 3D Studio Max was also used by artist B.J. Smoke’s fantastic integration of node-based compositing and editing made it easy to tweak every shot in this movie until the day it was finished. Their support was key to this film’s creation, and helped me to get up to speed with an incredibly capable and deep application. Additionally, I want to give a huge shout-out of thanks to Autodesk, who sponsored the project, and develop the software that made it possible (the entire short was entirely edited and composited in Autodesk Smoke). Please watch the credits, as I can’t thank the folks who worked with me on this nearly enough. “The Place Where You Live” was in great company in every shorts program in which it played. And being in the Science Fiction category of a lot of festivals, I have to say there’s a lot of really fantastic work out there right now. Happily, we had great audiences who were, on the whole, enthusiastic about the film. and abroad.įilm Festivals are always a great experience films are meant to be seen by an audience, so it’s gratifying to put the work in front of people, which to me is the the whole point. I travelled to what festivals I could, along the way meeting many talented filmmakers, actors, and film enthusiasts at screenings both in the U.S. In the process, we garnered six awards for everything from “Best Science Fiction Short” (Big Easy International Film Festival) to “Best Leading Actress” (ConCarolinas Short Film Festival), to a “Special Jury Prize” at the Worldfest-Houston International Film Festival. This prompted my last and most break-neck month of post-production and finishing, to wrap up the project once and for all, and to embark upon what would become a total of 18 festival screenings, plus one promotional screening (in Beijing, no less). In the end, nothing motivates finishing like a deadline, and an early look at the trailer and a teaser convinced the organizer of the Midwest Sci-Fi Film Festival that he wanted my short in their lineup. Squeezing in my portion of the post where I could was hard, and not a day passed where I didn’t wake up and feel guilt over not being able to get to my film (I’m never writing that many books in a year ever, ever again). It’s tough squeezing in ambitious VFX composites in-between paid gigs, and even I wasn’t immune as this came during the same year I ended up writing and revising a total of five different books (Adobe SpeedGrade Classroom in a Book, Autodesk Smoke Essentials, the DaVinci Resolve 10 manual, Color Correction Handbook 2nd Edition, and Color Correction Look Book), in addition to the color grading gigs I had that year. While the shoot itself went fairly quickly, with two-and-a-half days of principal photography, and another day of pickups a year later, post-production took a good long time for everyone involved. After two years of production and post-production, and a year traveling on the film festival circuit, I can finally release my Science Fiction short “ The Place Where You Live” free on the web to the general public, available both on both YouTube and Vimeo.
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